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Description of  Timothie Bright and the Origins of Early Modern Shorthand (Routledge Research in Early Modern History)

1032757493 rar In Timothie Bright and the Origins of Early Modern Shorthand, J.D. Fleming brings together two areas of sixteenth-century intellectual history. One is the period emergence of artificial systems for verbatim shorthand notationa crucial episode in the history of information. The other is the ancient medical discourse of melancholy humour, or black bile. Timothie Bright (15501615), physician and priest, prompts the juxtaposition. For he was the author, not only of the periods original shorthand manualCharacterie (1588)but also of the first book in English on the dark humour: The Treatise of Melancholy (1586). Brights account of melancholy involves a cybernetic phenomenology of the human. Essentially, we are psyches (souls or minds). We are sealed off from our bodies, operating them as automata across an interface. Psychological presence, for Bright, is illusion and pathology. Engrossing performances or representations therefore bring great danger, and so does the doctrine of predestinationless for its content than its typical delivery. Painful preaching was indispensable in sixteenth-century English Protestantism. But it falls foul of Brights proscriptions. These are followed by his publication of the first known system for verbatim shorthand notation since antiquity, its technique heavily inflected toward a vocabulary of the pulpit. The passionate, oral performance of the inspired preacher receives an unprecedented textual preservativeand prophylactic. Brights technology of information serves his phenomenology of alienation. Read more