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Description of  Politics and Truth in H lderlin: Hyperion and the Choreographic Project of Modernity (Studies in German Literature Linguistics and Culture)

While few would question the importance of Friedrich Hlderlin (1770-1843) for the development of German idealism and twentieth-century literature, philosophy, and critical theory, Hlderlin scholarship remains largely inaccessible to those working in English. This is especially true for his novel Hyperion - otherwise his most accessible work - which has not had a book-length study in English devoted to it in more than three decades. Anthony Curtis Adler opens Hlderlin's novel up to the reader by stressing its literary uniqueness, philosophical riches, complex ties with contemporaneous discourses, and relevance to contemporary Continental political theory. Neither merely a stepping-stone to his later and more esoteric poetry, nor a novelistic presentation of an idealist dialectics, Hyperion offers a powerful new vision of the relation between poetry, political economy, and philosophical truth. Poetry, for Hlderlin, anticipates forms of political life that have only been obscurely glimpsed rather than imitating a luminously given idea of the Good, it patiently guides toward a dimly sensed better world. Thus it replaces the Platonic philosopher-king with the poetic leader of the dance. Yet in just this way, Adler shows, Hyperion's project converges with a constellation of quintessentially "modern" discourses and practices, including the codification of dance in early modernity and the rise of political economy in the 18th century. Readers will discover the "choreographic" logic underlying both of these - and, with this, a new way to think about the relations between literature, politics, economics, and dance. Table of Contents Introduction Hyperbole, Measure, Dance The Athens Letter - Choreographic Writings Political Personae The Politics of Life The Choreographic Project of Modernity Bibliography Index